Good list. Just covers 2014.
Earlier today, 12 journalists at the French satirical magazine Charlie Hepbo, were murdered by terrorists angry that the publication had mocked their religion.
Salman Rushdie released the following statement, which seems perfectly apt:
Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. ‘Respect for religion’ has become a code phrase meaning ‘fear of religion.’ Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect.
His words may offend and affront some of my Muslim friends. Nonetheless, he’s right. Freedom of expression demands no less.
Here are the first six graphs of Roger Ebert’s review of “Death Sentence”:
When he was asked by Johnny Carson how a magazine could quote him saying he really would murder to avenge his family, Charles Bronson looked Carson in the eye and said, “Because the quote is accurate. I really could, and I would.” There was a little silence then, because Bronson was totally convincing.
He was publicizing “Death Wish” (1974), his film about a man whose wife is killed and daughter raped. He gets a gun and starts posing as bait for muggers, a middle-aged guy with a bag of groceries. Then he shoots them dead. I think he kills about 11 victims (17 in the book) and is nicknamed “The New York Vigilante,” but the homicide rate drops 50 percent in New York, and so a cop cuts him a deal: Get out of town. As the film ends, he’s drawing a bead on a guy in Chicago.
Funny thing. When Bronson made “Death Wish II” (1982), it was set in Los Angeles, even though Brian Garfield, the author of the novel Death Wish, had written a 1975 sequel, Death Sentence, set in Chicago. Ah, yes, here’s my copy right here, dedicated to “Jay Robert Nash, John McHugh, Roger Ebert and Bill Granger, Chicago front-pagers all, with thanks.”
He was thanking us because he’d come to Chicago to research the city (in two days, as I recall), and we agreed to meet him at the Billy Goat to feed him the real dope. The Goat (“no fries, cheeps”) is a hamburger-and-booze emporium tucked away on the lower level of Michigan Avenue, responsible for the enticing aroma of frying onions that pedestrians enjoy in front of the Wrigley Building. You will recognize the tavern on the book’s Page 27, “a block from Tribune Tower and equidistant from the Sun-Times and Daily News press rooms.” His hero figures police reporters who hang out there “might be the best source of information about the unfamiliar city.” He carries his beer to the back of the bar, where “there were nine or 10 men and women roughed up by alcohol and cigarettes and the cynicism of insider’s experience.” He got the Billy Goat right.
Bronson went on to make “Death Wish 3″ (1985), “Death Wish 4″ (1987) and “Death Wish V” (1994), by which date he was 73 and didn’t need the bag of groceries as bait. They were set variously in Los Angeles and New York, largely filmed in Toronto, and never did get back to Chicago, reportedly because Garfield hated the first movie and its sequels so much he would never sell the rights to Death Sentence. But now here at last, in 2007, is “Death Sentence,” and it is filmed in, that’s right, South Carolina. It doesn’t follow the book, either.
Kevin Bacon steps into the Bronson role, although curiously, even with the real sequel to work with, his name is changed from Paul Benjamin to Nick Hume. In the movie’s first press releases, he was John Hume. In the Bronson movies, he was Paul Kersey. There is always a legal reason for these things. I favor John Paul. Probably another bad idea. You may have no interest in the information I’ve shared so far, but I’ll bet you don’t read it anywhere else. Probably a reason for that, too.
Nope, I was interested. Ebert’s a fantastic writer — won a Pulitzer Prize for film reviews. I miss being able to pick up his reviews.
Here’s an editable, shareable Google doc with several online videos that are useful in teaching principles of mass communication. Please feel free to add your own favorite.
I recently sat on a panel that addressed journalism pedagogy. Here’s the list of digital journalism tool I told the crowd they should embrace:
New Content Management System (CMS)
Social media Content Management System
Tracking twitter hits
… and here’s a link to an exercise I had planned to mention that brings together the power of social media, the power of the press, and the power of good Public Relations. And it involves Starbucks.
Here are my slides from today’s presentation at the AUSACE conference on defamation laws of the Middle East.
Here are the slides for one of my presentations in Irbid, Jordan, during the AUSACE conference.
‘Arab Media Regulations: Identifying Restraints on Freedom of the Press in the Laws of Six Arabian Peninsula Countries’
My article recently published in the Berkley Journal of Middle Eastern and Islamic law can found here. Such scholarship is rare in the Middle East. On page 2, I list three reasons for the lack of media law research:
Three factors underlie a collective avoidance of research dedicated to the Arab world’s media laws in the academic community. First, a lack of academic freedom in the region hinders rigorous research of media policy. A culture of self-censorship pervades Arab universities because academics that tread too close to “sensitive” subjects (such as the mechanisms used to censor the press) can lose their position or be expelled from host countries. Second, language is a barrier. With many Arabic-speaking researchers avoiding rigorous study of media regulation, English-language academics are left to fill the void. In many Arab countries, media laws are written in Arabic without English translations. Therefore, English-speaking academics—who may also have more knowledge about international approaches to such laws—are unable to examine source material. Finally, a general lack of transparency (in all areas including media laws) makes it difficult to obtain source materials and other specific information, whether in Arabic or English. These factors collectively result in the region seeing little media law scholarship beyond cursory overviews in international media law texts and yearly “not free” rankings from press watchdog organizations.
Hope that other academics follow my lead and contribute more to this field but expect few will be stationed in the region. I purposefully chose an open-access journal, so that the paper can be easily discovered.
This research adds an important component for Arab scholars — how do other countries that have better press freedom rankings handle these issues? Instead of just decrying a government for arresting a journalist, I examine how other countries have balanced the need to keep public order while protecting freedom of expression. The analysis also explores defamation, insult to rulers, licensing of journalists and false news laws.
Students: For more information, go to my students page.